Pacino is extraordinary. The much-lamented accent is sorta a bisexual/Georgian/"Noo Yawk" ... it represents a complex mixture of dialect for a complex character perfectly portrayed by Pacino - balls and all. His work seems to become increasingly esoteric over the years, and outside of his character, the storyline is uneven and downright wretched in some parts.But Pacino redeems even the drek and delivers a landmark performance that one wouldn't expect as he nears closer to being able to collect Social Security. Gutsy, bold, and brilliant. The script and direction needed quite a bit of work- but Pacino's performance is compelling enough to wonder exactly what he will do next. A must-see for Pacino fans.
'Sentiment: Positive đ'
I'd never heard of this 2002 film until Ebert and Roper reviewed a few weeks ago and I was pleasantly suprised since I don't think Al Pacino has been doing his best work lately. In this film, he's right on target and the film is pretty fascinating. He looks haggard, overworked, and struggling with all kinds of things. Even Ryan O'Neal is believable for a change (of course, the character he plays fits him to a tee).I don't know if this one went straight to video or what, but search it out (especially Pacino fans). A definite 7 out of 10. Tea Leoni is sharp as a tack playing a flake. The entire supporting cast blends in nicely and this resembles a David Mamet script.
'Sentiment: Negative âšī¸'
Much as we all love Al Pacino, it was painful to see him in this movie. A publicity hack at the grubby ending of what seems to have once been a distinguished and idealistic career Pacino plays his part looking like an unmade bed and assaulting everyone with a totally bogus and inconsistent southern accent.The plot spools out this way and that with so many loose ends and improbabilities that the mind reels (and then retreats).Kim Basinger is there, not doing much. Her scenes with Pacino are flat and unconvincing. Hard to believe they meant a lot to each other. There's no energy there.Tea Leone, on the other hand, lit up the screen. She was electric and her scenes with Pacino were by far the most interesting in the movie, but not enough to save Al from embarrassment.